Marilyn Goes to Hicksville! (A Marilyn/Dan Hicks Epic 32 Years in the Making)
 (c
ontinued)

 The other of two that started it (a deal at twice the price!)

    And I'm not the sort of person who enjoys being turned down, nor spending a lot of energy trying to negotiate friends to want to be with me, so I try to second-guess situations so as to avoid too much negativity thrown my way.  Family married-with-kids issues quickly narrow the field, as do the single friends who work on Saturdays (two of my key music friends, Chris the concert attendee and Gwen the chantuese, who tend to either arrive late to my Saturday evening birthday parties or, in Gwen's case, maybe only once a decade at all) or live in California (commute's also an issue -- Mike's in Athens, Ed's in LA, Porter and Leslie who are both musicheads are dealing with the family thing AND living outside of Atlanta AND both can work on Saturdays).
    So I call my brother Wayne, who has a family and lives on the Tennessee/Virginia border, but, unlike any of my friends, has heard of Dan Hicks AND is a Dan Hicks fan, and say, "Hey, Wayne! Wanna roadtrip to Atlanta for the Dan Hicks and His Hot Licks concert Saturday night?"  He makes that painful disappointing sound, and says he'd really like to, but he'd all ready bailed on the family for a trip to Ohio to see his nephew (-in-law) graduate because he's got too much stuff going on at work.  I say, "That's PERFECT! No one will know you did it!  Come ONNNNN!"  He says no, but then happily adds, "Remember when he was on Flip Wilson?" 
    To make a long story a teensy bit less long, I, taking a chance he wouldn't be working, call Chris and he says, yeah, maybe, well, why not, but he might be working, so if anyone else wants to go, don't hesitate to go with them over him, plus he knows the manager who can get him in anyway, but he might be working, he'll find out and get back to me.
    I hang up the phone and burst into tears.  I HAVE NO IDEA WHAT THAT MEEEEEAAAAAAANS!
    Except that he's giving me hope, rather than a flat-out No.
    But he still might have to bail.
    So the fretting and strategic asking and getting turned down continues through the week, and I'm starting to stress that I can't find a friend who can give me a 3-hour hit of their time.  (Melissa had suggested I send a blanket email to everybody I know, but I'd assured her the idea of getting 50 no's would pretty much do me in).  Gwen was going to Paris for the week and returning Friday, which I take to mean she would be too exhausted for a Saturday night show, but by Friday I'm asking anyway (and then thinking if she was flying to Paris for a few days and coming back on a Friday, maybe it's because she has a gig lined up for that Saturday) -- she writes back saying, shockingly, that "Dan Hicks RULES!" but she does have a gig (actually flew back for one Friday as well, I think).  Brian's going to be up all Friday night doing a catering gig for the Atlanta Met Opera people, so he's planning to be a zombie.  Etc.  And no update from Chris, despite my email Friday asking if he's still game and available.
    Then Saturday afternoon, I have a phone message from Chris asking if I'm still in need o' company for the show (I later find out his computer is in the shop, so he isn't getting any email), and he, a seasoned concert attender, gives me tips on where to park (way conveniently located lot behind the theater) and says to meet him at The Yacht Club bar restaurant down the street from the Playhouse at 8.  I, trying to sound remotely cool even though I only have so much to work with in these rare important-to-me concert cases, am like, but, um, the show starts at 8:30...  And he's like "the theater's 100 feet from the door!"  So I, trying to sound somewhat reminiscent of a cool person in this case, say okay.  (It's general admission, but he'd told me earlier that there's a big open area in front of the stage where people can walk up and dance or whatever, with the old theater seats further back for people who just want to relax and watch the show, so I figure there's room to move closer to the stage whenever we get there.)
    So I get to the theater a little after 7 to find a place to park (and maybe hit Lucky Lil Devil punk rock kids clothing shop) and there's all ready a crowd of glorious Dan Hicks fans gathered at the door!  Chris had said the place seated about 1000, he thought, and there weren't too many people, so I decide not to panic yet, and stroll around town, killing some time. 
    It's not long before I'm hovering the entrance of the Yacht Club, quickly slipping in and taking a walk around in the off-chance Chris is there early.  Nope.  So I hang around outside the door, letting the alternating scents of flowers, cigarette smoke, various people smells, and stale beer flow over me, while overhearing people commenting on the flyers in the window ("Hey, look! Dan Hicks!" "And next week JJ Cale!" "Yes, but DAN HICKS TONIGHT!"). 
    And waiting.  And waiting.  Quarter 'til 8.  Then five after, at which point I begin letting angry thoughts play wild in my head.  I turn and notice that a tree is perfectly blocking my view of the restaurant's front door, which means it's also blocking anyone's view of me, and I go back in -- where Chris is sitting at the front table, and we both exchange "WHERE HAVE YOU BEEN???" greetings, him saying he'd been there for an hour in case I got there early, me saying I'd been outside for a half hour AND I'd come in and looked for him, and can I borrow his phone because I need to call a gypsy and cancel a curse request.  He was SITTING RIGHT OVER THERE, he says, pointing three and a half feet away at the bar of people with their backs turned toward us, and I point at all the backs of heads that look alike and we drop it, except that I'm worried that I'd blown it and we'd have to go to the show dinnerless.
    Chris says not to worry, and half-jokes that he'll have them hold the show for us, then calls his friend the manager to find out when the show really begins.  He's told "8:30, rock and roll time" which means any time between 8:45 and 9.  After we order and I look increasingly nervous, and we discuss his understanding of the desire of wanting to get there and absorb the pre-show vibe, we cancel our orders and go on to the show (I'd had half a Coke, he's finishing his beer -- s-l-o-w-l-y, despite my uncharacteristic encouragement for him to CHUG CHUG CHUG it let's go! -- so food can wait).
    So we're moving quickly down the sidewalk, just past the halfway point between bar and theater door, and Chris holds back and says, wait, he left his phone in his car, he's got to go get it, and starts walking in the other direction, away from the theater, toward the parking lot, to my dismayed disbelief.  "The phone you used to see what time the show starts?" I earnestly call after him.  He digs a little deeper and pulls the phone from his pocket -- there it is.  He smiles, nods it off, and we resume our hike.  "Man, you REALLY don't care about coming to this show, do you?" I jokingly accuse him.  WAIT! he says, starting to take off to his car again, then stops and smiles, and we continue to the theater.
 
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